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The new look of the second edition is telling. One of them, “Sun-Down Poem,” later to be retitled “Crossing Brooklyn Ferry,” is one of the great poems written in English in its century or any other. Fired by the book’s publication, Whitman began to work faster his second edition, only a year later, contained twenty new poems. Nonetheless, it was seven years before the first edition of Leaves of Grass appeared, containing twelve poems. He said he’d been simmering, before Emerson’s New York lecture of 1848, then Emerson’s passionate call for a distinctly American poet had set him to boil. One reason for this is perhaps the speed at which Whitman composed. This is why his shorter poems often feel like parts of a larger, more encompassing one even satisfyingly complete shorter pieces such as “To You” and “This Compost” might be seen as outtakes, or gestures in the direction of some overarching intention. His great poems-“Song of Myself,” “The Sleepers,” “Crossing Brooklyn Ferry,” “Out of the Cradle Endlessly Rocking,” and “When Lilacs Last in the Dooryard Bloomed”-straddle hundreds of lines, providing the poet with room to catalogue particulars ( The glories strung like beads on my smallest sights and hearings, he calls them), to stack up parallel statements, to address his reader, to depart from and return to his argument, and to construct a kind of poetic architecture designed to be mimetic of the process of thinking, and thus draw us more intimately near. He is most comfortable on a broader scale. Walt Whitman, it goes without saying, is not one of those. There are poets who find their strength in brevity, who use as few words as possible, arranged in the minimum number of lines, to evoke sense perception, emotion, and idea. Life is precious, or it's not / Barbara Kingsolver.Walt Whitman in 1891.
#The corner store eudora welty tv
Exposing media myths : TV doesn't affect you as much as you think / Joanmarie Kalter. but not at this cost / Armstrong Williams. The right to fail / William Zinsser -Īffirmative action in higher education. Uncle Sam and Aunt Samantha / Anne Quindlen. The declaration of independence / Thomas Jefferson. Where have all the parents gone? / Barbara Dafoe Whitehead -Ģ0. Surfing's up and grades are down / Rene Sanchez. Sometimes honesty is the worst policy / Judy Mandell. Why we crave horror movies / Stephen King. Connie Kang / Grant and Lee : a study in contrasts / Bruce Catton -ġ9.
The plot against people / Russell Baker -ġ8. Friends, good friends-Īnd such good friends / Judith Viorst. The fine art of sighing / Bernard Cooper. The ways of meeting oppression / Martin Luther King Jr.
#The corner store eudora welty how to
How to write a personal letter / Garrison Keillor. I love Washington / David McCullough -ġ5. Momma, the dentist, and me / Maya Angelou. What's in a name? / Henry Louis Gates Jr. The case for short words / Richard Lederer. A crime of compassion / Barbara Huttmann. And may he be bilingual / Judith Ortiz Cofer -ġ1. On being 17, bright, and unable to read / David Raymond. 38 who saw murder didn't call police / Martin Gansberg -ġ0.
"I just wanna be average" / Mike Rose -Ĩ. In praise of the humble comma / Pico Iyer. The wounds that can't be stitched up / Ruth Russell. Of my friend Hector and my Achilles heel / Michael T. Doubts about doublespeak / William Lutz -Ħ. A view from the bridge / Cherokee Paul McDonald. Anxiety : challenge by another name / James Lincoln Collier.
#The corner store eudora welty manual
Includes Instructor's resource manual / Brian Kent.ģ.
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